Air with variations in C minor, unfinished, BWV 991. A short organ piece, 12 complete bars and the beginning notes of the 13th bar. Minuet bach pro#
Fantasia pro organo, unfinished, BWV 573.The minuets of suites 2 and 3 are separated from the rest of their respective suites and were most probably added at a later date by Anna Magdalena Bach (they are almost certainly in her hand), some time before 1725. The next two are complete suites, French Suites Nos.
The first three are fragments of the pieces that are now known as the first three French Suites, BWV 812–814. The notebook contains the following works, most in Johann Sebastian's hand:
AntiMelancholicus refers to Anti-melancholicus, oder Melancholey-Vertreiber (Anti-melancholy, or to drive out the melancholy]). " Christen Schule item" refers to Pfeiffer's Evangelische Christen Schule (" Evangelical Christian School"). Ante Calvinismus is a shortened and misspelled title of Anti-Calvinismus, oder Unterredungen von der Reformierten Religion (Anti- Calvinism, or Conversations about the reformed religion). For a reason so far unknown to researchers, Johann Sebastian wrote the titles of three books by theologian August Pfeiffer (died 1698) in the lower right corner of the title page: The title page is inscribed Clavier-Büchlein vor Anna Magdalena Bachin ANNO 1722 in Anna Magdalena's hand. The back and the corners are decorated with brown leather greenish paper is used for the cover. It is not known what happened to the other pages. This notebook contains 25 unbound sheets (including two blank pages), which is estimated to be approximately a third of the original size. Note the titles of the three Pfeiffer books written by Bach in the lower right corner. Title page of the first (1722) Notebook for Anna Magdalena Bach. The 1722 notebook: French Suites and miscellany The primary difference between the two collections is that the 1722 notebook contains works only by Johann Sebastian Bach (including most of the French Suites), while the 1725 notebook is a compilation of music by both Bach and other composers of the era. The title "Anna Magdalena notebook" is commonly used to refer to the latter. The two notebooks are known by their title page dates of 17. 
2.5.16 "Rondeau" by François Couperin, BWV Anh.2.5.14 Piece in F major by Johann Christian Bach, BWV Anh.2.5.13 Polonaise in G major by Johann Adolph Hasse, BWV Anh.2.5.12 Solo per il cembalo by Carl Philipp Emanuel Bach, BWV Anh.2.5.10 Two Marches and two Polonaises by Carl Philipp Emanuel Bach, BWV Anh.2.5.9 Four Minuets and three Polonaises, BWV Anh.2.5.8 Two Minuets by Christian Petzold, BWV Anh.2.5.5 Aria of the Goldberg Variations, BWV 988/1.2.5.4 First prelude of The Well-Tempered Clavier, BWV 846/1.2.5.2 Third and sixth partita from Clavier-Übung I, BWV 827 and 830.2.4.3 Chorale setting Jesus, meine Zuversicht, BWV 728.2.4.2 Chorale prelude Wer nur den lieben Gott lässt walten, BWV 691.2.3.8 Sacred song "Wie wohl ist mir, o Freund der Seelen", BWV 517.2.3.7 Aria "Warum betrübst du dich", BWV 516.2.3.6 Aria "So oft ich meine Tobackspfeife", BWV 515–515a.
2.3.5 Sacred song "Schaffs mit mir, Gott", BWV 514. 2.3.4 Sacred song "O Ewigkeit, du Donnerwort", BWV 513. 2.3.3 Three settings of "Gib dich zufrieden", BWV 510–512. 2.3.2 Aria "Gedenke doch, mein Geist", BWV 509. 2.2 Four-part chorale "Dir, dir, Jehova, will ich singen", BWV 299. 2.1 Recitative and Aria from Cantata Ich habe genug, BWV 82.
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